It was also at the core of the highly sophisticated civilization that flourished on the island over 3,500 years ago.
The discovery of the Minoan Palace of Knossos
The discovery and subsequent excavation of the palace dates back to the beginning of the twentieth century. Before then, Knossos had only served as a place mentioned in Greek mythology.
The first modern scholar to take a serious interest in the area was the German Heinrich Schliemann, who in 1870 had excavated the site believed to be Troy.
Schliemann was certain that a major Minoan palace lay hidden near Heraklion, but the Ottoman authorities who still ruled the island at the time denied any permission to dig there.
Years afterward, the British archaeologist Arthur Evans, inspired by Schliemann’s ideas, reached Crete to negotiate the purchase of a portion of land in Knossos.
He began excavations in 1900 and in a matter of days, he found enough clear evidence to indicate the presence of a huge palatial complex.
Restoration of the site
Controversial restoration works took place thanks to Evans’ personal ownership of the site and its wealth.
He named the civilization “Minoan” after the legendary king Minos and he also took liberties rebuilding the site that have been debated by different archaeologists ever since.
He roofed the Throne Room, reconstructed the Grand Staircase, and replaced columns.
Evans also ordered the reconstruction of walls with frescoes and even added a conjectural Piano Nobile (upper story) using concrete.
Even though his works are largely based on personal ideas, it is also true that without his restoration it would have been impossible to deduce what the massive complex could have looked like in the past.
Therefore, if visitors want to see one of the most magnificent remnants of the Minoan civilization, they should put up with some controversy and visit the archaeological site of Knossos.
What to see at the Minoan Palace of Knossos
The West Court
This area believed to be the marketplace was certainly a place devoted to public meetings.
There, visitors can find three big circular pits, probably silos or depositories, which were also used as rubbish tips by the end of the Minoan era.
The Central Court
The central area of the palace presents a courtyard where modern paving covers the oldest remains found in the site, dating back to the Neolithic era.
Some speculate that this used to be the scenery of the well-known bull-leaping ceremony, while others say that the space would not have been enough for the acrobatic movements required for the performance.
The Piano Nobile
The Piano Nobile is a reconstruction completely made from scratch by Evans, and its main value lies in the sights it offers of the whole complex and the storerooms.
Many consider the disposition of the area rather confusing and out of place.
The Throne Room
Easy to spot due to the lines of tourists waiting to visit, the throne room hosts a worn seat made of stone while next to the walls there are lines with stone benches.
Archaeologists believe that the room was the seat of a priest or priestess rather than a ruler.
This idea is also backed up by the presence of a sunken bath which was probably used for ritual purification since it has no connection to the palace’s drain system.
The Royal Apartments
The Grand Staircase, a masterpiece which is an integral part of the architectural design of the spectacular Minoan Palace at Knossos, leads visitors to the royal apartments.
The most beautiful rooms in the palace are a clear example of the importance luxury and comfort had for the Minoans. The so-called Queen’s Suite has its main room decorated with the famous frescoes of the dolphins.
Some argue that these rooms would have been too small to fit the royalty, more likely located in the upper areas of the palace.
Therefore they are also identified as residencies for priests or important nobles.
The Queen’s Bathroom has a clay tub protected by a wall with a flushing lavatory with a drain system.
The King’s Room, located above the Queen’s Suite, has a stunning reception known as the Hall of the Royal Guard as well as the ruler’s personal chamber, or the Hall of the Double Axes.
This zone is thought to have been the area where smiths, potters and other craftsmen would manage their trade and skills.
In the workshops, it is also possible to see the characteristic huge terracotta vases.
This is also a good place to to admire the bull relief fresco located in the north entrance.